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But when they took a stab at disco with 1975's "Jive Talkin'," their career kicked into an even higher gear.

Besides their own hits (including a string of six consecutive Number Ones), the brothers wrote the title song for Grease, Kenny Rogers and Dolly Parton's "Islands in the Stream," Barbra Streisand's "Guilty," and Destiny's Child's "Emotion." "We see ourselves first and foremost as composers, writing for ourselves and other people," Robin Gibb said.

His most recent Number One, "The Monster," features bonkers couplets like "Straw into gold chump, I will spin/Rumpelstiltskin in a haystack/Maybe I need a straight jacket, face facts." Like his character in the 2002 biopic 8 Mile, Eminem honed his formidable skills in Detroit rap battles, then polished his rhymes in the studio over springy Dr.

Dre tracks that gave him room to freak out as agilely and aggressively as he liked.

His 1996 acoustic ballad "Good Riddance (Time of Your Life)" has become a standard and a pop cultural touchstone; the Who-scale ambition of 2004's American Idiot made for a rock-opera that remains a totemic response to the Bush era; and Green Day's recent three-album trilogy, Uno! And Armstrong is a punk through and through: the whole band gets songwriting credit on its hugely successful catalog.

Paul Westerberg wasn't precious about his craft ("I hate music/It's got too many notes," he sang on the first Replacements album in 1981).

The duo has also penned hits for other artists including SWV's "Can We," Total's "Trippin'" and Tweet's "Call Me." Missy hasn't released a new album for 10 years, but she and Timbaland have dropped hints that they've got something brewing.

America first discovered the Bee Gees with the 1977 disco soundtrack Saturday Night Fever.

"At certain tempo, the way Elvis sang was the result of copying Otis' demos," said Blackwell's friend Doc Pomus. Many singer-songwriters reach the point where they have too many great tunes to fit into a live show."Hi, I'm Taylor," she told the crowds on her Red tour. I'm told I have a lot of feelings." Swift's first three albums display her emotional yet uncommonly inventive country style — even early hits like "Our Song" and "Tim Mc Graw" sound like nobody else.(Only she could slip the line "Any snide remarks from my father about your tattoos will be ignored" into a teen romance like "Ours.") But she's really hit her stride with the pop mastery of Red and 1989, especially on confessional ballads like "Clean" and "All Too Well." There's no limit to where she can go from here."If you listen to my songs, they tell stories," Missy Elliott has said."I write almost as if I'm in conversation with somebody." The crucible of her collaboration with Timbaland was the Swing Mob, a loose constellation of performers and producers who worked with Jodeci's De Vante Swing in the early Nineties.

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